
Whenever I have high expectations for something, or feel my expectations mounting, the voice of my ex-girlfriend screeches into my skull, a spectre that forever haunts my gray matter. She told me that no matter what my expectations were, I would universally be disappointed. And as treacherous a woman as she was, she could not have been more correct. I didn't realize it at the time, but she was basically outlining the whole foundation of our relationship. The burgeoning relationship I had such high hopes for imploded after one bonnie and clyde-esque, hallucinogen-fueled night filled with misdemeanor felonies involving three gallons of A1 steak sauce and a transient hooker. One criminal record and a broken heart later, I have try to not have expectations of anything. Without any expectations, it's impossible to be let down. However, I couldn't help but feel a slight pang of disappointment. Perhaps the word disappointment is too strong; it would be more accurate to say they weren't what I expected. That isn't necessarily a bad thing, in fact, it was sort of refreshing, but it was fairly evident that not everyone enjoyed the show.
I don't want to go into great detail about the mute, holier than thou, 'experimental' (see: shitty) 'band' that preceded Animal Collective. It was just a woman with a bunch of tapes and tape decks, a looping device, a frown and a guitar that she barely played. What I do want to say is that people actually clapped for her and I can't tell if they clapped because it was bad and they wanted to seem as if they appreciated it because it was 'real art' or if they clapped out of the goodness of their hearts. Either way, after people clapped and howled for her, she just walked off the stage. Look, I know being a pretentious bitch is probably an acceptable professional persona in the world of really bad music, but honestly if you don't even say thanks to the people wasting their time watching you be unique, then you can go fuck yourself. And, yeah, when I clapped sardonically for you, it was a gentleman's middle finger.
To me, Animal Collective are more artists than musicians. That sentence sounds like it should be followed with a painfully contrived comment about my favorite year for wine or about the unimaginable depths in Albert Camus' (pronounced with a French flair) criminally short story, L'etranger or, The Stranger, for the uninitiated. You'll get no such comments from me, though. The reason behind my viewpoint is fairly straight across: I've never heard a band layer so many different sounds on top of each other to create a beat that is as comprehensive, luminous, and frenetic as Animal Collective's are. It evokes the feeling of being lost in a sea of sound yet always having something solid to latch onto.
I remember a friend of mine telling me before the concert that a lot of their songs were improvised and sometimes they just played a lot of new stuff with only a few of the songs being devoted to stuff off the album they're touring. He was right about the first part, whereas I imagine the only reason he was wrong about the second is because of the steadily increasing popularity of Animal Collective. They can't go back to their roots of screaming unintelligibly into microphones and pouring milk all over each other anymore, unfortunately. Although I'm sure their more la-de-da fanbase would love this high concept art, rich in both metaphor and calcium.
As I said before, my expectations are never high, BUT when I go to a concert, I expect to hear the songs I heard on the record. Probably because at 99.9% of the live shows I've been to, that's what happens. I long to recognize the song and sing along with it in my signature falsetto. However, since Animal Collective improvise a lot of their sound during their live show it has an almost disorienting effect. There would be rambling interludes of laser sounds and rhythmic chanting that lasted almost five minutes before they would morph it into a song. It might sound as if I'm excoriating them for it, but I happen to think that's a big part of their genius. There would be a tangle of sound but then a tiny drum beat would flit in and out of the noise, barely there, and before it dawned on you, it had become the instantly recognizable opening drum beat of Fireworks. Picture it as starting a sculpture with a huge block of marble (or whatever) and chipping pieces off until a basic shape was created and then refining it until it was something beautiful.
Sure, they played a couple of my favorites like Brothersport and Fireworks, but they often changed the tempo of the songs and added little bits to it. I didn't mind it, personally. I was just there to see these guys go buck ass wild, which I did see. But you could tell a lot of people felt, I don't know, betrayed, perhaps?
ps. that's a picture I took of the geologist.
